
ANDREI TARKOVSKY is perhaps one of the greatest filmmakers of all time. The Mirror, a film he made in the 1970s is a beautifully sad exploration of life through the eyes of a boy and his relationship with, as well as his perspective of his mother. Quite bleak with moments of pure poetry and insight into consciousness on a level that only the cinema can obtain, there is no doubt that it is a masterpiece.
My good friend Troy was visiting St Marks book shop in the East Village and came across a book of Tarkovsky's polaroids called Instant Light (Thames & Hudson), which features a collection of images the man captured over the years in Russia and later Italy. After mentioning the book to my wife and I, my wife took it upon herself to grab it as a gift for me (slick). I am absolutely floored! This book is beautiful. I haven't been able to put it down much and find myself gazing into an image for huge chunks of time, getting lost in his world.
Fucking brilliant!! Bad-Ass mother-fucker, he was!!
What's really amazing is how Tarkovsky captures such a similar vibe with 35mm motion picture film. If one was to do an A/B comparison of some of the polaroids against some of the images from his films, one would see an amazing similarity between the hues, lighting and composition. Tarkovsky was actually able to realize his personal vision in the motion pictures. That is one of the highest and most difficult levels to achieve in any artistic creation.
Of course, I like anything about Tarkovsky and I hope the Film Forum will show The Mirror sometime soon so I can experience it on the big screen in all its glory.
As with all of his work, this book is another level of beauty in our bleak and shitty world...



